And they are allowed, because they back up Christianity. In these Christain based novels and movies, magic, witches, evil, good, etc. as 'exceptional' since they condone Christain virtues and symbolize all that is beautiful with the religion.

You've allowed films like LOTR, Narnia, etc. Do they not see the irony in this action? I find it absolutely hilarious that Christains are boycoting this film. Watch the trailer for The Golden Compass: Please be patient and let the trailer fully load - it's a long trailer and the file size is big! That's a very hard one to top in my book.

I know it's going to be entertaining and enjoyable completely, I'm just not sure it can live up to Lord of the Rings. After watching the new trailer below, I'm very excited and definitely looking forward to it. I suggest you also watch the previous Golden Compass teaser trailer from May as well. What it will all come down to is if the film delivers as much as enjoyment the trailer does. Like Lord of the Rings and Harry Potter before it, The Golden Compass has a fairly strong fan base that will drive its hype more and more leading up to it. It's obvious New Line is going 100% all-out, sparing no expense, hoping this will be the next Lord of the Rings. When one adult tells her that 'Sometimes you must do what others think best,' she has the ready and reasonable answer, repeating what she's been taught: 'I thought we were best if we were free to do as we please.By now you've heard about The Golden Compass, but are you excited to see it? This new, full length 3 minute trailer is long, epic, and exciting. But all technical and philosophical complications aside, the film is buoyed by Lyra, who is more enchanting than any magic. Though she faces a series of daunting challenges that take her far from home, she remains brave, moral-minded, and smart - a little girl much like the little girls who might be watching her on screen.įans of the books will notice many changes, and the characterizations of the repressive Magisterial villains may trouble those who worry about the movie's ostensible atheistic messages (Pullman has said repeatedly that he's not preaching one way or another). A 12-year-old girl surrounded by digitized creatures, spires, and sailing ships, Richards' Lyra is a singular delight, at once curious and stubborn, thoughtful and impetuous. The most wonderful and cunning 'effect' in the film is Lyra (Dakota Blue Richards). And with so much to cover, the editing between scenes can be choppy and the digital effects uneven.

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